PDF Ebook Fruiting Bodies and Other Fungi, by Brian Lumley
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Fruiting Bodies and Other Fungi, by Brian Lumley
PDF Ebook Fruiting Bodies and Other Fungi, by Brian Lumley
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From Publishers Weekly
In an introductory diatribe against the current vogue of splatterpunk, Lumley ( Blood Brothers ) aligns himself with the old school of horror, which aimed, he reminds us, to entertain as well as horrify. These 13 tales, all previously published in magazines and collections over the past 20 years, amply bear out his thesis. Some of the best are set in Lumley's native northern England. In the title piece, which won a British Fantasy Award in 1989, a village is gradually invaded by a mysterious fungus--an ingenious, skin-crawling villain. In "The Viaduct," a more mundane--but no less terrifying--human adversary turns two boys' daredevil prank of climbing across a dangerous viaduct into a nightmare. Many of the stories bear the acknowledged influence of H. P. Lovecraft. "The Man Who Photographed Beardsley," for example, recalls Lovecraft's "Pickman's Model" (as well as Poe's "The Tell-Tale Heart"). Many of the stories, though generally the less effective ones, hinge on the discovery of ancient evil by overly inquisitive anthropologists, in the manner of Bram Stoker's The Jewel of the Seven Stars . In general, however, Lumley's well-crafted tales are satisfying entertainments. Copyright 1992 Reed Business Information, Inc.
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From School Library Journal
YA-- A retrospective collection of Lumley's horror that's sure to appeal to his fans and aficionados of the genre. Several of the offerings are directly Lovecraft inspired, but Lumley may be at his best when he is drawing upon his own working-class English background. His voice, especially in the first-person narration of "Cyprus Shell," is as effective as Robert Bloch's at its best. Less convincing is the purple prose needed to really carry off the Lovecraftian stories; one senses that the mad ravings have been filtered through a level head. All in all, though, this is a most enjoyable romp in the grue.- Cathy Chauvette, Fairfax County Public Library, VACopyright 1993 Reed Business Information, Inc.
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Product details
Hardcover: 288 pages
Publisher: Tor Books; 1St Edition edition (February 1, 1993)
Language: English
ISBN-10: 0312854587
ISBN-13: 978-0312854584
Product Dimensions:
6 x 1 x 8.5 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#1,006,189 in Books (See Top 100 in Books)
Having only recently been turned on to Brian Lumley, this is my first purchase and first read of Lumley; and all I can say is Wow! His writing phases from ethereal to direct impact, flowing with style and a flair for the creepy things that go squish in the night.Beginning with the best story of the collection, "Fruiting Bodies", Lumley takes us on a trip through a small, dying town that is slowly falling into the sea. But will the sea claim its victim before the Dry Rot does? Seemingly, a new and mutated type of dry rot, it is as hungry as the sea. Lumley does not deny the imagination in this tale, leaving you searching the nooks and crannies of your house for any...well...nasty accumulations."The Man Who Photographed Beardsley" is a short but sweet sabbatical into a demented and twisted mind, which has managed to retain its sense of propriety."The Man Who Felt Pain" is a tale told by the protagonist, of his twin brother and the bond they shared, through life and death. If one twin suffers, will not the other twin feel his pain...sooner or later?"The Viaduct" reminds me of Stephen King back when he still had tight and compelling stories with real-life characters you could relate to immediately. Children can be cruel, but just where is the line drawn when one doesn't understand the rules? This is an excellent story, in which I could actually feel the desperation and the slippery palms of true terror."Recognition" is a ghostly tale of a haunted place, and a firm argument as to why some things are best left alone."No Way Home" is a surreal nighttime journey through both familiar and unfamiliar territory, with a surprise ending that is unexpected...and worth the trip."The Pit-Yakker" takes us back in time to a simpler life within a working-man's village, and a young man's dreams that turn to dust and disintegration in the wake of simple urges and the lack of intelligence to quench them. Questions of friendship and tolerance and personal limitations are addressed here, in a harsh and unforgiving atmosphere of betrayal and lust."The Mirror of Nitocris" was one of the stories I found to be a bit boring, kind of strung out and lacking, even though it is only 10 pages long. It was just a bit of a yawn in all the rest of the excitement; a tale of an acquired artifact that comes into being in a chilling climax, only to be destroyed before it can leash its evil into the world."Necros" is a very interesting tale of immortality, and the things one must do in order to assure that immortality is youthful and pleasant. But there is a twist to this at the end that will surprise you, and give you a peek into the horrific aspects of bowing to such a creature."The Thin People" is a true masterpiece of the type of horror that will leave you forever guessing about ordinary things you see every day. I am counting the lamp posts on my street now, and have had a few disturbing dreams in regards to the science of "Folding". Excellent tale!"The Cypress Shell" and "The Deep Sea Conch" are intertwined stories, based on letters written from one person to another. The tales they tell of mysterious mollusks are frightening and disgusting, and well deserve their place here in this anthology. The creepiness Lumley portrays upon something as simple as shellfish is amazing, and you will never eat clams or muscles in the same uncaring fashion as you once did before this unnerving description of these innocent organisms.Lastly is "Born of the Winds", the longest story in the collection, and a novella in its own right. Although, it was my least favorite of all the set. A meteorologist recovering from an "incident" of chest discomfort visits his friend in Navissa, Manitoba. While recuperating from his complaint within the house of his friend, he meets the widow of Samuel Bridgeman, an anthropology professor who had died nearby some years ago. Our protagonist becomes interested in Bridgeman's written works, and eventually becomes involved in Mrs. Bridgeman's search for her son, Kirby. How deep is the Bridgeman's connection with the Air Elementals and the Wind Walkers, and where does Kirby fit in with these spirits? Not a bad story, just a little too wordy and..well...coy, for my tastes.Don't miss this fantastic collection of stories from Lumley, a true master of mysterious and weird stories that are well written and well told. Enjoy!
Amongst the most notable horror writers that have picked up a pen and crafted, Brain Lumley the short story writer (not to be confused with Brain Lumley, the novel writer, whom I really can't speak on because of lack of general knowledge on him) has to be mentioned with awe. I'm not certain if his allure is in the way he crafts situational happenstance, with the pages of foreshadowing seamlessly meshing with the way he flawless enacts characterization, if its the way his peaks and valleys, his towns and villas, dance so vividly that my mind can walkabout and taste the air that even the shortest of tales seems to craft, or if its the ideas for his stories themselves. Its strange how he accomplishes that task, though, approaching horror and punctuating it with an aire of newness that banishes many of the classically shallow pits we've seen a million times before. Honestly, every time I read one of his shorts I find myself wondering exactly where his mind will allow him to approach even the most basic idea from.In this collection of short stories, I've found many and many a tale that merits and actually demands acclaim. Some, like Fruiting Bodies and The Thin People, teem with topics that are frightening in their flavors, wearing masks that I can't recall reading anywhere else. Others, like the Lovecraftian tales he forged, most notably Recognition, wear dread like familiar sweaters. Now, for a listing of the stories here and a synopsis of some that no doubt does them an injustice:Fruiting Bodies, one of my favorite pieces in this book, incorporates the disappearance of a town and the tales of a kindly old man into a tale of a mysterious fungi that seems quite extraordinary in its abilities. In fact, as it consumes more and more, it seems downright horrific in its reproach. I particularly liked this story because of the last statements, the punctuation mark on the horror if you will, that left the terrible tale open for the mind to digest. On top of that, the detail given to the setting is deliciously remarkable.The Viaduct, a tale containing a valuable lesson on the cost of tormenting others, on heights and the challenge they bring to the table, and on the wonderful world of falling. This tale wasn't one that I cared for simply because of its ending, a great piece of work in and of itself, but I also appreciated the detailing, quite explicit and painstakingly given. In it, I could feel the characters and taste the surroundings, something that always amazes me.Recognition, a Lovecraftian inspired piece, focuses on an entity that dwells within a home that someone wishes to be rid of, their efforts to understand the enemy, and the subsequent means (a medium, and exorcist, and someone to draw the beast for him) used to do so. This tale is particularly inspiring because it focuses upon the notion we hold most dear, that of understanding, and the high costs that connection can bring.The Thin People, another of the more remarkable pieces here, dwells within the domain of The Thin People and their thin homes, where lightbulbs seem to vanish from streetlights and sometimes the number of lampposts changes for the worse, and on the strange science of "folding things." Again, this was interesting because it was, in a word, original.The Cyprus Shell, coupled with a piece Lumley states he wanted printed after it, The Deep-Sea Conch, are letters that go hand in hand detailing not one but two of the dwellers within the deep (not to be confused with Deep Ones). The first, a hypnotic piece with a mesmerizing snail, and the second, a prehistoric holdover dredged from the deep, flow well together and leave a wonderful taste in the mouth of the reader.Lastly, Born in the Winds, another Lovecraftian pieces on the wonderfully Arctic world of the WindWalker, is something that approaches a familiar topic but does so in a grand way.The stories I chose not to breakdown are The Man Who Felt Pain, The Man Who Photographed Beardsley, No Way Home, The Pit-Yakker, The Mirror of Nitocris, and Necros. This, in no way reflects upon them as stories because all are quite good, but more on the laziness of the reviewer himself and his need to keep some things nameless.All in all, the way this collection bounces from topic to topic, from beastly horror to loathsomely fungoid terror, is a sight to behold and well worth the read. I especially find it nice to fear something new for a change.
Brian Lumley never fails. I don't really care for his novels, but his short stories are excellent, and "Fruiting Bodies" is one that will haunt (and disgust) you long after you've put it down.
Brian Lumley is a fine addition to the post-Lovecraft circle.
A very chilling read. Short yet meaty stories to keep you significantly creeped out. Reminiscent of Stephen King or H.P. Lovecraft. The best/eeriest story of the bunch is definitely "The Thin People."
Great collection of short stories. I really enjoy Mr. Lumley's writing.
A couple of mild, somewhat interesting Weird Tales type stories can be found here. It might make a good addition for your fantasy collection; just don't set your expectations too high. A word of caution. There's no monster or pit in the Pit Yakker; only a teen boy chasing another girl. And Born of the Winds is yet another H.P. inspired story about a frigid woman and a meteorologist searching for a runaway boy in the wastes of Canada. This story was nominated for the World Fantasy Award, and after reading it, you'll understand why it did not win. If the quality of Lumley's title work, Fruiting Bodies, is supposed to represent him at his best, I'm not encouraged to finish the entire book.
Great short stories.
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