Get Free Ebook The King Of Ireland's Son, by Brendan Behan
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The King Of Ireland's Son, by Brendan Behan
Get Free Ebook The King Of Ireland's Son, by Brendan Behan
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From School Library Journal
Grade 3-6. A lively folktale containing all of the elements that please children. Originally published in Brendan Behan's Island-An Irish Sketchbook (Random, 1962; o.p.), the text was transcribed from a tape recording of Behan telling the story, adding to the immediacy of the narrative. The King of Ireland wishes to know the source of the heavenly music that can be heard all around the country, so he sends his three sons off on the quest. When the brothers notice the music coming from a hole in the ground, Neart and Ceart lower Art down, hoping to get rid of him. Art travels through a tunnel and meets three old men, each the father of the one before, and finally comes upon a talking horse who leads him to a palace garden, where he discovers a captive princess playing a harp. Art must trick her captor, a giant, and keep himself from being devoured in the process. With the help of the magical stallion and his own quick wits and good humor, he rescues the princess and returns triumphantly to his father's castle, where he inherits half of the kingdom, marries the princess, "and wasn't I at the wedding as well as everybody else...." The exuberance of Lynch's vigorous watercolors, from lush gardens to humorous facial expressions, perfectly matches the rollicking rhythm of the text to create a wholly satisfying read-aloud. A perfect choice for St. Patrick's Day or any folklore unit.?Connie C. Rockman, formerly at Ferguson Library, Stamford, CTCopyright 1997 Reed Business Information, Inc.
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From Booklist
Gr. 3^-5, younger for reading aloud. In this folktale from Brendan Behan's Island--An Irish Sketchbook, the king's three sons set off to find the source of the "heavenly music" heard throughout the country. Steered by three generations of old men through a long tunnel, advised to mount a stallion at the other end, and warned about a ferocious giant, youngest son Art discovers the beautiful harpist-singer. To break the spell that imprisons her, Art must defeat a giant in a deadly hide-and-seek game. Behan's rich retelling, also found in Jane Yolen's Favorite Folktales from around the World (1986), begs to be read aloud. Greenaway medalist Lynch's handsome paintings are reminiscent of such early illustrators as Rackham. Full of drama, emotion and magic, they make this story more accessible to children. Linda Perkins
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Product details
Age Range: 6 and up
Grade Level: 2 - 3
Paperback: 40 pages
Publisher: Scholastic; 1st American ed edition (March 1, 1997)
Language: English
ISBN-10: 0531095495
ISBN-13: 978-0531095492
Product Dimensions:
9 x 0.5 x 11.5 inches
Shipping Weight: 14.2 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#1,623,459 in Books (See Top 100 in Books)
What a great book love the illustrations
This was a good story. I thought it would be about three heroes and not just one. The way the hero outsmarted the giant was a little weird, but it was still a good story.
"The King of Ireland's Son" is an original fairytale by Brendan Behan, but so immersed in the traditions and familiarities of Irish folk-lore that is could well be taken for a true tale from that huge mythological canon. Behan narrates in a jaunty-like prose that reminds one immensely of the language usually connected to stories from Ireland, and incorporates many of the usual fairytale components: a tricksy giant, a damsel in distress, enigmatic guides upon the road, a helpful talking animal, a threefold trial and a triad of brothers: two malevolent ones to the virtueous youngest.The King of Ireland hears the sound of "heavenly music" in his kingdom, and promises half the land to whichever son manages to find its source. The two eldest, Neart and Ceart, take the oppurtunity to get rid of Art, the youngest, by lowering him down the hole from which the music appears to be coming from. Art however, is sincere in his wish to follow the music, and follows the tunnel connected to the dark hole, ushered on by three elderly men, each one older than the previous, each the son of the following one.Art follows their advice to a beautiful garden, where a beautiful, magical stallion carries him through an equally beautiful garden. There he finds the music's source: the daughter of the King of Greece is held captive there, under the power of a huge and evil giant. Captured by the giant, Art agrees to his challenge: for three days the giant will hide, and if Art does not find him, he'll be killed. If by any change he does succeed, then it's Art's turn to hide whilst the giant seeks. Again, should Art fail, it will end in his death.Helped by the Princess and the stallion Art takes up the challenge, leading to the most rewarding part of the book: the ingenius hiding places held by the two opponents. Here P. J. Lynch's always-stunning illustrations come into play. The bold yet delicate watercolours are a feast for the eye, and Lynch seems to be able to paint *anything*, from any angle, whether it be comical facial expressions, the giant's eye view of the world, or the cavernous tunnel where all the actions takes place. In particular, the expression of the Princess gesturing to her ring is priceless! I couldn't help but laugh at the perfect expression she wears of a person desparately trying to convey secret information without the antagonist realising she's doing so. The giant also is a great creation - menacing without being too terrifying.Like most folklore heroes, Art relys more on the advice on helpful guides than his own devices (the stallion is solely responsible for his salvation) and the Princess, in her own words has: "been here for a year and a day and I can't get away from this old fellow until someone comes to rescue me." Obviously the idea that such damsels could be their own rescuers had not yet reached fruitition, but Lynch's portrayal of her, with sparkling wit and humour makes her not a total loss as a female role model.Despite some narrative faults, "The King of Ireland's Son" is a great addition to the bookshelf, especially for those with a love for folklore and fairytales that are brought to life with thoughtful, creative illustrations.
Some things are great about this book: The Irish cultural references, beautiful artwork, and unique fairy tale elements like the three very old men. Some things are downright hilarious, like references to new-fangled foods, food appearing in the ears of the horse, and the places where the king's son hides (I won't give it away). But this book doesn't pass muster in my house, despite the Waldorf recommendation and the fact that we are homeschooling with a Waldorf curriculum. Here's why: It's very male-centered, and the female protagonist does nothing but sit around and wait to be rescued by a man. Then she marries the man (after being sure, of course, that he is royalty). Also, the hero's brothers needlessly try to get rid of him, without provocation, and end up banished at the end. The sibling hostility and banishment is such a minor and unexplained part of the story that it seems completely random and unnecessary. Why not just have the brothers try to help him in the beginning, and welcome him home at the end? This is the kind of detail I change when I am retelling classic fairy tales.Maybe I would feel differently about this book if I had sons, but in my Pagan Feminist Waldorf Homeschooling house, raising daughters, this book went back to the public library quickly!
My first-grader loves this book, we can't read it enough. My 3-year old sits by, spellbound, and sometimes I find him looking through the pictures on his own. I found this at the library, and we had to renew it so many times I finally bought it. The language is wonderfully rich and strange--best for those who love to read aloud with gusto.
I bought this for my son and was very glad I did. It's an adventure tale of a prince who must defeat a giant. The pictures are lush and beautiful, and it's delightfully written with great descriptions.
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